Online Music Course

A Study In Banjo Lessons

2009-12-06T06:35:00.000-08:00

Ah, I remember the good old days when I had my first banjo lesson. Actually, it wasn’t exactly my first lesson. I had been using the internet to improve my “skill” for a while, and I was slightly conceited since I thought I had some idea about what I was doing. I watched videos of a real expert playing the banjo while the tabs were available as well. I learned a few songs and techniques that sounded interesting, but that was about the extent of my knowledge.

When I had my first real lesson, it broke down all those illusions I had of being a decent player. I tried to show off, but as soon as his deep eyes met mine I missed a chord. It was my first time to ever play any instrument in front of anyone, and I didn’t think I would get nervous. After all, I’ve always been a gifted public speaker. The only one in the room was my teacher, and I was having a terrible time.

I’m having a hard time seeing my future in banjo playing, especially since I can’t even whack up the ginger to play something in front of my own teacher. He’s a nice guy, and he can play the banjo like no other. He’s already taught me several exercise I can use for my next lesson. It’s also a great experience just to watch him play, since his skill far outweighs mine. I just hope I will sound at least slightly more decent the next time I have a lesson.

But if I always freeze up when I try to play at my lessons, I’m worried that my instructor will never be able to give me the help I truly need. It’s impossible to get feedback and constructive criticism if everything I play is absolute garbage. I think I will start recording my lone practice and playing it back for him. Hopefully I won’t freeze up just knowing that he will be listening to it soon…

ABC's of the Music Industry

2009-12-06T06:32:00.000-08:00

If anyone or any company feels that your music will not make them money, there will be absolutely no interest in your music. That’s it in the nut shell. Remember, to always remember this. The Music Industry is about Money!

There are a few sources of money to be made in the music industry. They include but are not limited to:

· Record sales

· Songs played on the radio

· In movies and television

· Concerts

· Song writing

· Producing

· Merchandising

· Advertising

· CD-ROMs/DVDs

If you are an artist and want to get into the music business, you need 3 very important very good people in your corner batting for you on a daily basis. They include:

· Personal Manager – The most of important of the three. They should have contacts in the music industry, keep on eye on all your affairs, advise you on things to do, help promote your music, producers to hire, who to sign with when to go on tour, etc. The personal manager will receive 15% and 20% of an artists gross earnings and have good contacts with record companies A&R, Marketing / Sales, and Promotion departments.

· Music Attorney – A good attorney specializing in the music will know how to properly negotiate and structure the deals an artist makes. They should have good contacts and be trust worthy. Expect to pay between 100 and 200 per hour for a good music attorney. If an attorney thinks you will get signed, they forego a set fee and charge a percentage of artist’s earnings. In bigger cities, you’ll pay more than in smaller cities.

· Music Agent – Book concerts and special appearances. A Personal Manager will help the artist with selecting a good agent.

If you blow up and start generating the big money, then a good Manager / Accountant will be needed to handle your tax situation, review royalty statements, financing tours, offer invest advice and how to manage your money.

Getting recognized by mailing your demo to record labels isn’t impossible, however, 99.9% of the time your material will not get listened to. Even if you have the best song on the planet, it will not be listened to. Record labels want to limit their liability, so they do not listen to unsolicited music. Record labels don’t want to listen to numerous songs and then be held liable if someone claims their material was copied.

If you do decide to mail your CD to record label, send the “solicited” material. First get a contact, preferably an individual in the Artists & Repertoire (A&R) department. Call and first speak to someone. After sending your CD follow up to determine if the targeted individual received your material and another follow up call to determine if it was listened to. Submit 3 to 6 songs and send a bio and picture of yourself. Again this isn’t the preferred way to submit your material to major record labels.

Until you have music business advisors in your corner trying to promote you and there is a “buzz” going around about you, your demo will not reach the decision makers at the record labels. Record companies on a daily basis receive thousands of unsolicited CDs. Most likely your CD will be tossed into a bin located in a remote room filled with overflowing bins of CDs.

Record labels like to deal with artists who have a history of record sales. These are artist that may have produced and sold their own CDs locally or regionally. Record labels like to deal with artists who have performed their material and there is this “buzz” going on about them. MC Hammer, before he became famous, performed his own materials and sold his own records until a major record label signed him. MC Hammer had a lot of leverage in negotiating a good contract because he already proved on a local basis he could sell records.

Record companies want to limit their liability. If you are signed, you are considered an investment that will require some money and they want to see a premium return on their money invested in you. The more you can prove that you can sell record, the better chance you can get signed.

If you get signed to a record company, you the artist will go into the studio and record songs for the record company. The record company makes copies of the master recording and ships it to a distributor. The distributor is a wholesaler who then sells the CDs to retail outlets like Best Buy, Sam Goody and Tower Records. The record company then pumps money into marketing by advertising and promoting your music with hopes of selling records, thus making you a superstar and becoming rich!

It is not as easy as it sounds. It takes a lot of hard work by a talented group of people. Everyone has to work together to make this happen. There are usually many people behind the scenes working to make an artist a superstar.

Record companies often categorized into 4 groups: · Major label record companies - have the recording and operating resources to complete all function to sell records. Major label record companies are integrated in that they can handle the promotion, sales, marketing, and distribution to sell music. Major label record companies are Arista, Atlantic, Capital, and Sony.

· Major label affiliate labels – have special agreements with the major label record companies, where the major label may fund the smaller labels recording and operating expenses in exchange for a portion of the smaller label profits.

· Independent labels - distributes records through major labels. Independent labels have few employees. They tend to find talent, sign the talent, sees to it the music is recorded and contracts with major record labels to perform the promotion, marketing, and other functions.

· True independent labels – Has no association with a major label and distribute their music through independent distributors.

The A&R (Artists & Repertoire) Department

The A&R department is the talent scout. They are in charge of finding new talents. They are the eyes and ears of the record company. However, not because you get signed to a record label because an A&R representative likes you it doesn’t mean your CD will ever get produced and released. Executives higher in the company could cancel your deal if they feel your CD will not sell. A record company will have to invest several hundred thousands of dollars to release your CD, so they will be extremely cautious on whom they release.

The Marketing and Sales Department

This department is responsible for getting the public excited about your music and first selling to retail stores the idea of carrying your CD. They are responsible for promotional merchandise, advertising your CD, in store displays, publicity, your CD cover, etc.

The Promotions Department

This department is responsible for getting your music played on the radio. The individuals in this department will visit the various radio stations to convince them to play your material. If your material doesn’t get played, no one will now how you are. People will look at your CD in the retail store and wonder who you are. There is also a direct correlation with CD sales vs. how many times a song for that CD gets played on the radio. More air time on the radio equals more CD sales for the record companies.

Remember music is art, but to the record companies, it’s about money. Keep in mind that it’s a business. Keep in mind everyone is out to make money. The minute people believe that you will not make money for them, you will be dropped and these same people will turn to seek other new artists that they believe will make them money. Unfortunately, the record business doesn’t believe in grooming people. If your first CD isn’t a success, you are out. There are rarely second chances. There are always other talented people behind you who what their shot at fame.

Distribution

Most major retailers such as Tower records will not carry a CD unless the record has a distributor. A strong distributor ensures that your CD will be available in enough places so your CD will sell to ultimately make money. Major labels use large distributors who are better able to get record stores stocked. After years of consolidation, there are only 5 major national wholesale distributors in the US who are owned by conglomerates who also own major record labels. They are:

· BMG (distributes Arista, BMG and RCA)

· EMI (distributes Capital and Virg.)

· Sony Music (distributes Columbia, Epic and Sony)

· Universal Music Group (distributes Interscope, Island/Def Jam, and MCA)

· WEA (distributes Atlantic, Elektra and Warner Bros.)

Distribution via the Internet Record labels and artists are increasingly using the web to distribute their music. Unknown artists can also use sites like this mZeus.com, http://www.mZeus.com, to generate buzz about their music. However, unknown artists will still have to work hard to get the buzz going about their music. Ultimately, signing a contract with a major record label is the way to go. The major record labels have the financial muscle and people to give you a good shot at becoming famous.

Let’s face it. It’s all about money! Yes, the entertainment industry seems fun and exciting, but people are in it to make money. As an artist the most important contract in the music industry is the record contract. The royalty is a portion of money from record sales paid to the artist for his/her music. The record contract which is a negotiated legal agreement between the record label and artist will state how much royalty an artist is entitled to among other things.

An artist should have a good understanding of how royalties are calculated. A good music attorney will help with this process by making sure the artist is paid what he/she deserves. A 13% royalty for one artist may be a lot of money, however a 13% royalty for another maybe “chump change”.

So this is how the numbers work. An artist successfully signs a record contract. The artist goes to the studio and work diligently to create a CD that the record company fully supports. The record company via its distributor sells the CD with a suggested retail list price (SRLP) of $17.99 to a retailer for about $10.99. The distributor will take 10% - 14% of the $10.99. Therefore the record company will get about ½ the SRLP of $17.99. Independent record companies may receive less than ½ the SRLP. Major record companies will pay artist royalty as a percentage of SRLP.

Rates will vary of each artist depending on how successful their record sells. For a new artist who never had a record deal or has sold less than 100,000 albums will get a typical royalty rate of 12% to 14% of the SRLP. For an independent record label it maybe 10% to 14% of the SRLP. For established artists who have a track record of selling 200,000 to 500,000 albums the royalty rate maybe 14% to 16%. For artists who have sold over 750,000 albums the royalty rates maybe 16% to 18%. As you can see, the more successful the artist is, the higher the royalty. Additionally, royalty maybe based on how well the record sells. For instance, the record contract may state that an artist will get 12% for the first 100,000 units sold, 14% for 100,001 to 300,000 units sold, and 16% for over 300,000 units sold.

But hold your horses. If you sell 500,000 albums and have a royalty rate of 12% doesn’t mean you will get 12% of 500,000 at a SRLP of $17.98 which would equal $1,078,800. This is because as specified in the record contract, there are deductions (expenses) that have to be deducted.

To start off the bat, the record company will deduct a “packaging charge” from the SRLP which is typically 20% for cassettes and 25% for CDs.

Second, more often the artist is responsible for paying the record producer a portion of his/her royalties. Typically a producer will receive 3% to 4% of the SRLP.

Third, in the record business, the contract may state that the artist’s only generates royalties on 85% of the unit sales. For every 100 albums sold, 15 albums sold, the artist gets no royalty.

Forth, the record company will hold a portion of the royalty money because the distributor typically has an agreement with the retail outlets to take back and credit the retail stores money from unsold units. This is very important, because a good portion of your album could be returned to the record company if the album doesn’t sell! The money that’s held back is called a reserve. Reserves maybe held for 2 years before it’s paid to the artist. Typically a major record label will hold a reserve of 25% to 40% of the royalties.

Fifth, advances paid from the record company to the artist are deducted from the artist’s royalty. Advances include but are not limited to the:

· Recording studio expenses (new artists to an independent my get an advancement of $0 to $80,000, new artist to a major record label $150,000 to $400,000

· Hiring independent promoters to help sell the albums

· Cost of making a music video (promotions and an inexpensive music video can cost $150,000 to $200,000.

When money is made for the record sales, these costs are deducted from the artist’s royalties. This is called re-coupment. Therefore, if the artist’s record isn’t successful, the artist may never see a dime. If the royalties are less than the deductions, they artists may well owe the record company money by being in the red! This negative cost maybe carried over to the next album release. A good record contract will not allow a negative cost from one album to be carried over to another album (cross collateralization). If there isn’t another album the record company generally eats the loss.

There are many other costs that the record company will not charge the artists. This includes marketing and in-house promotions (free CD give away, etc.).

So how much does an artist make for a gold album (500,000 albums sold).

Check out the math:

CD (suggested retail list price SRLP) = $ 17.99 Less CD Packaging of 20% = $ -4.50 NET = $ 13.49 Times: Net artist royalty rate (12% - 3% to producer) = X 9% Gross royalty per CD (9% of $13.48) = $ 1.21 Times 500,000 albums = $ 500,000 SUB TOTAL = $ 605,00 Times: Royalty bearing % (15% o = no royalty) = X 85% Gross Royalty = $ 514,250 Less advances: Recording, promo, music video, tour = $ -350,000 TOTAL ROYALTY TO ARTIST = $ 164,250 - Reserves (35%) returned by retailer) = $ -57,487.50 (1) ACTUAL ROYALTY PAID TO ARTIST = $ 106,762.50

(1)Reserves will be paid to artist in 2 years if no CDs returned by retailer

Remember the artist still has to pay TAXES! Don’t forget Uncle Sam has to get his cut! Also, don’t forget the Personal Manger, the Attorney, the Accountant, the Agent and other numerous expenses.

However, there are many other royalties that an artist can acquire. They include, Record Clubs, Compilation CDs, Samplers (low-priced albums in which a few artists are featured), Premiums (albums sold with other products, such as cereal), Film Soundtrack Album, Music Video Sales, Greatest Hit’s Album, Foreign Royalties (song played in some foreign country radio stations pay royalties, unlike the US), Master Use License (music used in a movie, television, commercial, the Internet, CD-ROM and DVD), etc.

Of course because of the Internet, the rules royalties are changing. Many people now buy their music via the Internet. Just think, no packaging required and no distribution to traditional retail stores needed. Some websites allow customers to buy individual songs as oppose to an album. Changes are currently taking place on how royalties are calculated because of the Internet. Many attorneys are pushing to have royalties be based on each song sold as oppose to each album sold. So stay tuned!

A Perfect Houston Wedding includes a Houston DJ

2009-12-06T06:30:00.000-08:00

If you're planning a Houston wedding, you'll confront the million-and-one decisions that all brides face. Who should you ask to be in your bridal party? Where will you find the perfect wedding dress? What do you need to pack for your honeymoon? In the process, it's important to remember that the enjoyment of your guests is also your responsibility. To ensure that they have a wonderful time at your reception, you should select a professional wedding DJ in Houston who can take some of that responsibility off your shoulders. These simple guidelines will help you find the Houston disc jockey that is a perfect fit for your wedding.

Find the Right Houston Wedding DJ

Initially, the thought of having to find the right wedding DJ in Houston can be overwhelming. Take some time to cruise the Internet and locate DJs in Houston who specialize in weddings. Make a list and run the names by your caterer, photographer, and the manager of your reception venue. They should be familiar with Houston DJs and can help you narrow down your list.

Is it the Right Music for You?

Once you have narrowed the field, it's time to start making calls. If you have a particular type of music you'd like played at your reception, check to see if he has that music available. Keep in mind, though, that your reception is likely to include guests ranging in age and musical preferences. A professional Houston DJ will have an eclectic mix of music that will get everyone to his or her feet. By all means, ensure that the songs you want are on his play list, but also realize that part of his job is to set the cadence for your reception. By starting your reception off with light music, your DJ will help to put everyone at ease. Through music, he'll help to move the event along, from your first dance with your new husband, to the cutting of the wedding cake, the tossing of your bouquet, and the departure of you and the groom.

A Houston Wedding DJ Provides More than Music

When choosing from among DJs in Houston, remember that you not only want him to provide terrific musical entertainment, but also to act as an emcee. For that reason, you need to check out the DJ's attitude, personality, promptness, and ability to please the wedding guests. The best way to ensure your wedding reception will be handled in a professional manner is to stop by another wedding reception and watch him in action. By seeing him perform, you will get to know his personality, the quality of his performance, and reaction he receives from the guests.

Important Things to Consider when Hiring a Wedding DJ

Before you sign a contract with a Houston wedding DJ, make sure that he has (or will get) the songs you would like played at your reception. Make sure that he accepts requests, as your guests will enjoy being able to dance to their favorite tunes.

Even if you don't know much about sound equipment ask about it. A professional DJ in Houston should have top quality equipment and high-end professional lighting, both of which will make your reception more enjoyable for your guests.

If you don't have the opportunity to watch him perform, be sure to ask the DJ what he will be wearing at your reception. Most Houston DJs wear tuxedos to weddings, but there are some who don't. By discussing this with the DJ in advance, you'll eliminate any problems or embarrassing moments on your big day.

Having the right Houston DJ will not only guarantee that your special day is well-organized, but will add to wonderful, lifelong memories.

What A Concept - A Music Lesson At Your Own Pace,

2009-12-06T06:27:00.000-08:00

A good music lesson is simply the best way to learn how to play the piano. This is because most people need the discipline they get from learning how to play music in a certain sequence of time. Once you master one lesson, you will be able to move on to the next with a great deal of confidence as your skills start to improve. It’s this confidence that is going to keep you wanting to play the piano and increase your musical knowledge and ability.

The piano is one of the most popular musical instruments today. Most people who are starting out choose to play the piano because of its diversity and simplicity. Once you learn to play the piano, you’ll be able to pick up almost any other instrument and be able to produce some type of quality sound.

When looking for the right style of piano to play, you should consider how serious you are about learning. You will find some pianos are extremely expensive, and this type of piano may not be necessary for someone who is just starting out. Pianos do tend to hold their value, and if you take good care of it you can probably sell it many years later for a decent price when you are ready to replace it with something newer.

The music of the piano can be heard almost anywhere including clubs, schools, churches, symphonies, and at home. Once you get into a routine for each music lesson you take, you’ll find that making time to practice is something you look forward to.

Learning online through an online piano course is a great way to play in your own home without having to fuss with scheduling or finding a teacher. You decide when you want to learn your next lesson, as well as when you have the confidence to move on to the next music lesson. Many people are already finding out how easy it so to learn how to play the piano on their own.

Each music lesson is designed to teach you what you need in order to advance to the next level. All of the notes and chords for the next set of songs are presented at the beginning of the lesson. You don’t move forward until you feel you are ready. This means you can spend more time on one lesson over another if you’d like. And it also means you can go back to a lesson at any time to review what you’ve already learned.

At Hear and Play, we know that finding the right music lesson to get you started at learning to play the piano is the key to creating a successful new hobby or passion. We offer online learning guides and reference tools to effectively help you learn to play music by ear. Contact us today at http://www.hearandplay.com/ to learn more.

A guitarist guide to surviving the gig from Hell!

2009-12-06T06:23:00.000-08:00

Joe is a lead guitarist in a covers / remake band. He is a good guitarist and cool under pressure. He plays for a band called the Psycho Nymphos. They are a five piece band with two guitarist, keys, bass and drums. The other guitarist also doubles as the singer. Yet this is Joe’s nightmare. As a guitarist, this scenario should induce uncontrollable trembling of all body parts and have you soiling your underwear. This, is the gig from hell.

Thinking that he starts at 10:00, Joe shows up at the venue with two hours to spare. Well, it would be two hours to spare, but Joe got given the wrong information. The Band is due to start at 8:30 and Joe hasn’t even unpacked his gear yet, let alone set up. They had been trying to call Joe on his phone, but it was switched off. Joe, keeping cool, unpacks his car in a hurry and somehow manages to get everything set up only 10 minutes late. The crowd is getting restless and the bar manager is furious. Joe is keeping his cool.

No sooner than finishing his finally tune up, the Nymphos start. After another minute of working out what song to play, the Nymphos kick off their first song. It sounds terrible, with Joe’s guitar to quiet and bass guitar too loud. The band plays the song half heartedly while they adjust levels and try to get things right. The crowd is wondering what the hell is going on, and the bar manager is wondering who the hell he hired and why. Joe is a little frustrated.

After standing around working out what to play next, the band begins the second song as suggested by the drummer. This one sounds better until the first chorus. Half way through the first chorus… TWANG…. Joe busts a string. Joe makes do for the time being until the solo, when he realizes that the guitar solo is going to be somewhat difficult with only 5 strings. Joe fumbles his way through until the end of the song. Joe is very embarrassed.

The band stands around for a minute or two while Joe replaces the broken string. Once that is done they kick off into the next song. This one goes OK, and the crowd seems to be getting into it a little bit more. The bar manager is starting to relax, and Joe is starting to enjoy himself.

In fact, everyone is enjoying themselves. And their beers. A little too much. The Nymphos are starting to get a little sloppy and starting to miss cues. Especially the singer. He is starting to miss when he is supposed to be coming in, and slurring words. While the boys in the band are finding it hilarious, the crowd are not. Joe is starting to get tipsy.

The next song Joe’s guitar starts making funny noises, and the sound starts cutting out. Eventually Joe’s guitar disappears. He randomly stomps on some pedals and realizes that there is no power. He was sure those 9 volt batteries were still good. Joe unplugs his guitar lead from the pedal board and plugs it straight into his amp. Joe is getting angry, just like the crowd and the bar manager.

Two songs from the end, the stage goes black. All the amps turn off and all that can be heard is the drummer pounding away. After a few seconds all of the Nymphos are standing around, looking stupid wondering what is going on. About 30 seconds later, the power returns. The band chats quickly and decides to start the song again. This time they get through it all. They play there last song the few remaining patrons, pack up, pick up their cheque and leave the bar, never to return.

Could it get any worse for Joe and his band, the Psycho Nymphos? I doubt it. But they could have survived all of these problems by being prepared. It may seem insurmountable, but I have played a gig where nearly all of this happened in one night, and we survived. It’s all preparation. This is what you need to do to survive this nightmare.

ALWAYS STAY IN CONTACT

There is no excuse to be late to a gig. With today’s modern communications technology, everyone has the potential to be contactable all of the time. Even if Joe got the time wrong, a simple phone call would have solved all the problems. However, it is always a great idea for a band to meet at a central location at some point before a show, and travel together “convoy” style if possible. This is a sure fire way to make sure everyone arrives on time, doesn’t get lost, or can get assistance if something does go wrong.

The spill over effect of this is that when you arrive on time, you can take your time and set up properly, sound check, as well as check your equipment for problems and in general, relax before the show starts.

KNOW WHAT SONG COMES NEXT

Unless you are some freeform jam rock improv jazz type thing, you need to know what you are going to play. Every member of the band should know what song is coming next so they can prepare for it without having to debate first what song to play in the first place. Have a set list in sight for every member of the band. Know in advance what songs may require guitar changes or change of tuning so that you don’t kick off the tune until everyone is ready. Moments like that are easily filled with some banter, usually between the singer and the audience.

ALWAYS KEEP A SPARE

It’s not always possible, but you should aim to have a backup guitar ready to go at all times. This is especially true for a band with two guitarists like the Nymphos. With the second guitarist still playing, and your backup guitar primed for playing, it is more than feasible to switch guitars mid song. It takes about 10 seconds and looks very professional. Even if you are the only guitarist, depending on the song you can sometimes get away with it as well. However sometimes you just have to grit your teeth and get through it. Once the song is over you can grab you backup guitar and play the rest of the set without keeping everyone hanging around while you change a string. Change it between sets or if you only have one set then don’t bother.

If you can’t keep a spare guitar handy and need to change strings, have some backup material. This applies to all band members. You should have a song that can be played when any member of the band is incapacitated. Then any running repairs can be made while the rest of the band covers.

STAY SOBER / CLEAN / STRAIGHT

It doesn’t matter what you think, you do not sound better when you are smashed. Sure, maybe to your ears, but not to mine or anyone else’s. A few years ago, I remember playing a huge New Years Eve show where there were two bands. There was us playing inside, and the main band playing on the outside stage. The other band I had seen many times before and they were great. In fact they were one of the most popular bands to play this particular venue. In between sets, they were heading up to their rooms, getting stoned and drunk, then coming back down to play their set is a semi comatose state. We were inside, enjoying a few drinks between sets and keeping it together. Our sets overlapped slightly and by the end of the night, whenever both bands were playing, inside was packed and outside the other band was ignored. The following year, we were asked back to play New Years again as the only band. In fact after that New Years gig we were booked regularly to play both nights of the weekend every month (think about that for a second, we were booked for 25% of that venues available shows). It may be fun to get tanked and play, but it won’t get you anywhere.

NEVER TRUST A BATTERY

To this day I still cannot believe people run their effects off batteries. It is just a disaster waiting to happen. Sure, I have batteries in my pedals that I swap out every few months. But they are the BACKUP for when some drunken idiot in the crowd falls onto the stage and pulls out a power lead or something similar. Or perhaps you accidentally leave a cable plugged in between sets and the battery drains on you. If you do need to run off battery, work out how long they last and change the battery in half that time. This should help avoid unwanted failures at critical times, and make sure you have extra batteries.

By the way, have you ever heard the sound a Tube Screamer makes when it’s failing? It’s awful.

WE DON’T NEED NO STINKING ELECTRICITY

There is not a lot you can do about this but ride it out. Although it’s not as bad as it sounds. When a venue looses power, you can be sure it will be up in less than minute unless something MAJOR has gone wrong, in which case the venue will normally shut if it is a building wide blackout. So for the next 60 seconds, what do you do? It’s easy. Nobody stops. The entire band keeps playing. The singer goes to the front of the stage and starts yelling the lyrics at the crowd. I am yet to see this not work. The crowd will start singing back. When the power kicks back in the band hasn’t missed a beat and the crowd will go crazy. It is slick and professional and will fire up the crowd for the rest of the night.

If it goes over the 60 seconds just finish the song and wait. Not much more you can do, but at least you tried.

JUST BE PREPAIRED

If you are prepared and use common sense, you can cope with any disaster. I personally have had all these issues, besides the drunken stupidity, happen in one night, and we survived by having an escape plan and sticking to it. It’s not that hard to come up with your own emergency escape route, and I hope these examples can inspire you to be even more gig ready.

Interview with Drummer - Mykill (Mike) of Dead Skin Mask

2009-10-25T06:13:00.000-07:00

Tribute bands usually play the music of a certain to get people through the door to see the bands OWN songs thrown in between the artist of tribute. Since December 2004, I have been watching one band in particular, a Slayer tribute act. Not once, has this band added their own music to their set list. NOT ONCE. When a fan of a band (particularly Slayer) is out on the town checking out live entertainment, they what to see what they are paying for, a tribute. Not a little of this and a little of that. So, do they have their own songs? According to the drummer of the band, yes. Dead Skin Mask is the most accurate Slayer tribute band I have ever seen. Monster drum kit, stacks of amps, and most important, the ability to convey the music through that equipment. That is what really counts. There is no Slayer act out there better than Dead Skin Mask, well except for the metal masters themselves. To date I have checked out a handful of them, since I have lived all around the USA. I have contacted the drummer of the band, to get the inside info on the Dead Skin Mask project and the progress of their original music as well as the scoop on what he is up to…

Slayer Girl: So Dead Skin Mask isn’t “dead”!

Mykill: (Laugh) Nah! We are around. There are a lot of different things I’m doing. Sometimes one is put on “hold” for a bit. But, with exception of one in particular, I really enjoy my bands.

SG: Which one do you not?

M: Hahaha! I .. uhh.. Yup!

Sg: I see. DSM is writing originals now?

M: Oh yeah. It has been talk for a while, but we are in the process now. Between The 3 of them (Danny M, Joey K, Romeo V) there are some great ideas. One of the last projects, the guy wanted to write poseur ass ballads, like love song sh*t! I hate that crap. The “hair band” and bullsh*t spandex days are fortunately dead and buried. This band is into some serious music, not like the ridiculous sh*t that other guy is into.

SG: So I take it you don’t like love songs?

M: No, not really. There is what I listen to… What I buy… and what I compose. All 3 are VERY different. My CD collection would make you think I’m schizophrenic.

SG: How many projects are you involved with right now?

M: Well, a new development has arisen. A while back, I came up with this name the last band (1 person) did not like. It could have been used as a song or album title. I really wanted to use it as the name of the band, but certain people were/are set in their ridiculous ways. So, on one of the many hiatus’s this particular band had, three of us used it. The name I came up with is PAWNS OF CHRIST. Angel F, Romeo V, and I decided that we 3 will go on working together, and that will be our band name. It will have absolutely NO connection to the “other” band we were in. NOTHING at all! The music will be a combination of all our tastes combined. Not so much just that of one like before. The past endeavor was discouraging. Idiots not showing up, scheduling a practice… then not showing up, canceling shows, and so on. Real childish sh*t. Well, the three of us are sick of it. All 3 of us will now go on leaving the “problem” behind, so to speak.

SG: Issues?

M: Me? Nah!

SG: So you must practice a lot?

M: ahhll, mostly the only time I play is when we practice or play a show. The way my life is situated right now, does not really allow me to. When I need to write something, I pretty much compose it in my head, and am fortunate enough to be able to “play my thoughts”. Yea, it takes a run through or so, but not much more than that. I recall a time when what I would “play in my head” was way more difficult than I could actually do. I am glad that I have been able to develop the skills, in actual ability, to be able to do that. Real glad.

SG: What do you do to get ready before a live performance?

M: I try to get my hands on as much coffee as I can! (laugh) Usually that is difficult, though. I think we will have to add fresh coffee to our rider! I stretch a bit, do some little things to get the blood flowin. Usually the pre-show nerves and adrenalin are enough for that.

SG: So no pre-show rituals or superstitious activities?

M: Of course, blood drinking and we all talk in 3 word sentences.

SG: Really?!

M: No. I’m kidding. How are you recording this anyway?

SG: I have a receiver-mounted microphone that goes to a micro cassette. A suction cup holds it to the earpiece and it picks up both ends of the conversation.

M: Ahh.

SG: So how many songs are played at “sound check”?

M:(laugh) None! There are many factors that prevent it. Most of the time, it is because of the lame-assed bands ahead of us. They all have to COMPLETELY disassemble their sh*t in the stage. F*cking losers. There are so many reasons, it is pathetic.

SG: Who is the biggest name you have shared the stage with?

M: Biggest to me, or the “biggest” name?

SG: Both.

M: Well to the general public, the biggest names would be Judas Priest, Budgie, and George Lynch. There are a few more, but I don’t want to be obnoxious. To me, though, it has to be Fear Factory and Exodus. Once again, there are more, but I’ll stop there.

SG: What band(s) did you do that with?

M: …………(silence)

SG: Okay! What is Pawns of Christ about?

M: What does the name mean, or what is the project about?

SG: Both again.

M: Well, the definition of the project is simple, fast. The material is a style that the 3 of us could not do before due to… whatever. As for the name, uhm. Supposedly we are all here and really have no control of what is to happen. Call is fate, karma, God, whatever. There is some force that controls everything. I heard the metaphor that life is a tape that is playing. We don’t know what is ahead, but it is already recorded. We just have not “heard” it yet. We’re puppets, so to speak, no control over anything. Our actions seem like our doing, but some say it is not. Something is controlling us, moving us…just as in chess. The pawns are of the least value, therefore, they are sacrificed first. They are almost worthless. Just as humanity is, or seems to be if you look at it a certain way. Just look around you. Life is not exactly great. All the sh*t balls around, and whatnot. I don’t want to step on too many toes, so I’ll stop there. Hope I answered you somewhat.

SG: Somewhat, damn!

M: Alrighty!

SG: So ‘Pawns’ will be heavy, musically?

M: You could say that. Lyrically….I don’t want to even consider the bullsh*t it will contain. All of us are pretty god dam angry about something or other.

SG: I see in all you interviews with other people talk of your drum set. You seem to love talking about your “stuff”. What are you using?

M: And oh how I do. I am using the best. Just like when I first started back when I was 12 or 13. But today, it is on a lager scale. The drums I use are the strongest I have EVER seen. TAMA, of course. I have somewhat older ones. The toms are a combination of older ROCKSTAR DX, and newer SWINGSTAR’s. My Kicks are ROCKSTAR PRO. Also a bit older. The pedals I use vary from time to time. Mostly I use my HP-25’s. I believe they are called FLEXIFLYER. Other times I use modified IRON COBRA JR’s. I have 2 18X22 SWINGSTAR kicks still in the boxes. I just have to replace my older toms with the same sizes of newer ones. I don’t need to, but I do want to. My gear is fine as is, but new is good! So I have, right now, 2 26” kicks, 2 MTH 100’s, 1 MTH 900, 8, 10, 12, 13, 14, 15 mounted toms and a 16 floor. Maple 3.5 X 14” piccolo snare.
Cymbals are also top notch, especially. PAISTE. I use a combination of almost series line they came out with! RUDE, 2002, 3000, SIGNATURE, 2000, DIMENSIONS, ALPHA, PST 3, PST 5, 802, 502’s (new and older), 2000 COLORSOUND…I think that is all. If I keep going, I’ll rattle off all the sizes of each and every one!

SG: NA, NA, NA…

M: Okay, then… Sticks are VATER 3A FATBACK nylon. With VATER stick and finger tape.

SG: You wear gloves, too.

M: Yeah.

SG: I see! Are you about your projects?

M: Well, very. I will take what talent, or whatever you want to call it, as far as I’m allowed to, whatever that means.

SG: Whom do you admire, or, who influenced you?

M: DAM! No short answers for these 2! Shhhewww, where do I start? Growing up, it was Ron Bushy. My parents had 2 Iron Butterfly records I adored. Ron Tutt from Elvis fame caught my ear as well. I heard a solo he did way back when….WOW!!! During that time The Police were pretty popular. Stewart Copeland was cool. I liked his riffs. Well, I still do. Around then I was finding Alex Van Halen. I focused on him for years. As a younger kid, he was the most sought after in my little world. I really dug his work. You have to remember, ALL these drummers, I really admire. There is no order to which are “better” or not. All are so different, musically, that this is in no way a comparison.

SG: OKAY, OKAY!

M: I just want to stress that fact, that’s all. Later I got into heavier music. Drummers like Dave Lombardo, Louie Clemente, Charlie Benante, Sid Falck, Paul Bostaph, Raymond Herrera, Scott Travis…wow, I just realized that most if not all use TAMA and or PAISTE! Sh*t, coincidence? Hmm. All of them are great drummers, it only makes sense that they would also use great gear as well.

SG: So sharing the stage with JP must have been an honor and a thrill?

M: Those 2 words don’t even express what I feel when I recollect that show!

SG: What is this Internet Band I saw on the Lost Soul Forum?

M: Oh yeah, Lost Soul was my old band from back in Connecticut. The guitar player (Bryan Reilly) and I are collaborating again. It, as of yet, is just in a real beginning phase. He is putting together some riffs, and I have some drum ideas I need to record and e-mail him. I don’t know exactly what to expect with this type of arrangement. Bryan (Reilly) is great, so as for quality of the material, I am not concerned at all. It will be very good, with out a doubt. So Bryan and I are going to send ideas to one and other, and see what pops up….

SG: Sorry to cut you off, but won’t that be expensive and extremely time-consuming?

M: In today’s digital age, it is a lot easier and quicker than one would think. The worst part is writing the music. The easy part is recording and transferring files via FTP or e-mail. It is instantaneous. No more waiting for an ADAT tape or cassette through the Postal System. Don’t get me wrong. I love ADATS. That is what I record everything on. I’ll transfer the 8 tracks to the computer then convert them to a WAV or MP3 for FTP.

SG: How’s it going?

M: Software and computer glitches have delayed this way more than necessary. I’m very optimistic, though. Bryan is amazing on the geetar. Your phone bill is gonna kill you for this conversation!

SG: Nah, it is a cell and after 7pm.

M: …alright.

SG: I guess this will be my last one. I’m sure you are busy…

M: (sarcastically) OH YEAH, SURE AM!!!!

SG: …anyway, what is the largest group you have played for at one time?

M: Something close to 2,500. A bit less or bit more. Around there.

Wow! A very entertaing interview. Most musicians I interview to are way too serious. Some act as if they’re out to cure the world of its ails. RIGHT!
A big thanks to Mike for his time and cooperation. I truly appreciate it.
Check out some of his sites:

http://www.mykill.net
http://www.lostsoulband.com
http://www.pawnsofchrist.com
http://www.deadskinmask.com

Later,
SLAYER GIRL.

Music As a Form of Entertainment

2009-10-01T08:28:00.000-07:00

Music like any other form of art is a great form of entertainment for you. Your blues, emo, indie, folk or music videos are a great source of fun for you and your loved ones. Whether it's an African village enjoying the live beats of the drum or a club in the middle of New York, the effect is the same. The music does it all for them.

You can enjoy a great time with music as a form of fun by dancing. Simply get up and take to the floor. When listening to your blues, emo or folk songs there is no better way for you to express your feeling that shaking what you've got. Just let your hair down for a moment and let the music take you. You are sure to enjoy it every time you get on the floor. Music causes you to just want to move. It stirs within you slowly until you can't hold still no more.

You can also enjoy music by simply watching the artists do what they love. You enjoy musicals and operas this way. The music just causes you to sit still and enjoy. The moment is like an experience out of this world. For a moment you forget about everything else. You focus on the music. The indie, folk or alternative songs capture your consciousness. It's like a musical trance. You feel it in your inner most being. That's how music entertains you.

Even without having to go out for that opera or musical, you know that music will still entertain you wherever you are. You can have a great time just sitting and listening to your best emo or indie CD right in your living room. Call your friends to enjoy the moment with you. It lightens the mood and makes you all laugh without a care in the world. It's even okay if you choose to dance right in the middle of your living room. The music transforms an uneventful and boring evening into one you are sure not to forget.

Music entertains you quite well in clubs and discos. If going out is your cup of tea, you know how much fun this is. When the music is playing out loud and the lighting adds to the effect you can't help but enjoy. Everything goes here. While sipping on your favorite drink and whispering at your friend's ear, you know that you don't want the evening to end. The indie, folk, alternative or emo songs played for you make the atmosphere just as you want it to be. At this point, you unleash your vivacious side and you can confidently ask that guy, "wanna dance?" This is because you're really entertained.

Music as a form of entertainment is evident in celebrations and special occasions. You know how without the folk, emo or indie music at your best friend's graduation you would have had a drab time. You can swear that the only reason you stayed was because of the music.

Music videos are something that Mich is fond of. He has much more information at his website.

Article Source: http://EzineArticles.com/?expert=Mich_Jackson

The Violin Musical Instruments That Will Soothe Your Soul

2009-09-30T08:48:00.000-07:00

Playing the violin has been one of the most beautiful experiences of my life. Whether it was playing a solo piece or playing in an orchestra, the ability to play a piece composed by Bach, Mozart or Vivaldi and other great composers is one of the greatest accomplishments that a classical musician could wish for.

Although it is not one of those tasks that can be learned overnight (unless you are a musical genius), with practice and dedication you can soon be playing pieces that will light up your soul. One of the reasons why I chose to play the violin was its soothing and melodic sound, one that I feel is like no other.

The second reason why I chose this stringed instrument was for the ability to virtually take it with me anywhere I go. Even when I travel on a plane it's not a problem. It is not like a Cello, bass or a harp which are big, heavy and bulky and you certainly cannot take those instruments with you!

The third reason was the ease of learning. I say "easy" because unlike a piano, guitar or a harp, a violin only has four strings (G, D, A, E) and a bow you must learn to use. Once you learn the four basic strings, then comes learning the finger positions that go on those strings that will make the notes. Next, comes the correct holding position for the bow which will allow you to gently glide across the strings and begin to make music.

Once one learns the basics like how to hold the violin, the correct position of the feet, and how to hold the bow, you can go on to begin making music. One very good place to start to learn the pitch are practicing scales. Yes, they may seem boring at first but they will eventually help the violin player with tuning and correct finger positions (too flat or too sharp).

For the beginning violin player some of the easiest pieces to start with would Twinkle Twinkle Little Star or Mary Had A Little Lamb. Simple pieces like these will help in getting a sense of accomplishment and not one of frustration. If you begin with anything more difficult it will only bring discouragement in trying to learn to play the violin.

Playing the violin not only gives me a sense of accomplishment but has also become somewhat therapeutic. Those moments when I am stressed or have a feeling of frustration I can just take out my violin and it just becomes music for my soul. It has been one of my greatest investments!

Here is how to get further information on violin playing! Learn the basics of violin musical instruments and you too can learn to play today!

Article Source: http://EzineArticles.com/?expert=Joanna_Jordan

Violin Lessons For Beginners - 5 Top Tips

2009-09-29T08:48:00.000-07:00

Learning how to play violin can be an exciting adventure leading to eventual mastery. How you start to learn violin , however, is vitally important if you wish to succeed and play violin to a good standard for years to come. Here are some tips to get you started along the path to play violin in a way that will
bring you great satisfaction as you progress in your violin lessons.

Violin Lesson Tip #1

Set yourself goals so your progress can be measured and enjoyed.
These should include short, medium and long-term goals and can be reviewed as you learn how to play violin.
A short term goal might be to perfect how you hold the bow, or to master a short piece.

Violin Lesson Tip #2

Immerse yourself in the world of the violin.
Listen to radio concerts, buy CD's and play them wherever you are ; watch video or TV footage of professional players ; if you get the chance go to see live performers really play violin.
You'll learn how to play violin by studying top exponents as much as through your violin lessons.

Violin Lesson Tip #3

Get to know YOUR violin. They're all different just as we are, and also need looking after to stay in top shape - so develop a little love affair with your new friend.

Violin Lesson Tip #4

One of the hardest violin lessons is that of achieving excellent posture. The fact is that a good posture , once learnt, will be the basis of how well you play and also how much effort you put into merely standing rather than concentrating on how you play violin. Put in the work early on and you'll benefit for life.

Violin Lesson Tip #5

If you want to learn violin to a top standard then your violin lessons surely have to come from a top exponent of how to play. There is so much to learn that cannot be book-learned that a good teacher will provide. Your violin lessons need to be visual , structured to your needs and progress and , of course, convenient for you to
attend. If you've a concert violinist around the corner - fantastic !, although probably very expensive too. If not then you can have a top violinist at your beck and call, 24/7, by using video lessons. These are reviewed on my violin lessons site.

http://violinstore.webs.com

Article Source: http://EzineArticles.com/?expert=Marius_Kennedy

Tips to Play Guitar - Increase Your Playing Level and Rival the Competition

2009-09-28T08:48:00.000-07:00

You might love to play the guitar, but you're not progressing at the rate that you used to. You can remember learning chords and riffs before, but now things are starting to slow down.

If you think that your skills are going through a dull period, don't worry. Here are some simple and fast tips to play guitar that can get you out of the slump and learning faster again.

1. Own an acoustic and electric guitar. Sometimes the different styles between the acoustic and electric guitars can hold a guitarist back on what they want to learn. For the best results, own each kind of guitar, that way you can hook up to an amp when you have time, and take your instrument elsewhere when you need to practice.

2. Talk to your friends and relatives. Your friends and relatives might have guitar information you didn't even know about, but you'll never find out if you don't ask. Sit down with some of your guitar buddies and trade secrets and tips to play guitar better.

3. Watch professionals in action. How are you going to know how the pros play the guitar if you don't see them in action? Go to shows or watch television specials of your idols to see what their favorite licks are and how they're executed.

4. Watch some online videos. There's so much information about tutorials and tips to play guitar for free on the internet that so many guitarists overlook it and get discouraged. Do some quick research on a search engine and you'll discover tons of valuable guitar information that can speed up your progress quickly.

5. Have a jam session with some other guitarists. If you like the style of some of the other local artists in your area, maybe you should invite them over for a little jam session. You can watch their tricks, trade some of your own, and if you're lucky you might have a small band starting in your living room.

It might really be discouraging when you're just not progressing like you used to when you first started playing the guitar, but you can't let that hold you back. Try out some of these tips to play guitar for yourself, and learn at least one new thing for the guitar each day.

Kyle Hoffman has performed in a number of successful musical acts as an experienced guitarist with enthusiasm in the rock and metal genres. To learn his effective tips on learning fast electric guitar for FREE, visit his popular guitar blog, How To Guitar Tune!

Article Source: http://EzineArticles.com/?expert=Kyle_Hoffman

Learning to Play the Guitar? Read This First!

2009-09-27T08:38:00.000-07:00

Learning to play guitar? Consider online guitar lessons.

Remember the old pre-web days? You used the phonebook to look up a friend or a business, TV guide to see what was on the box, record stores to buy your albums.

Now these things, for the most of us, are done online. And of course it works a lot faster, more convenient and down right better. Maybe some other things should be done this way too? Like learning the guitar for example.

The old way vs. The new way of learning the guitar

The old way: Look up local guitar teacher, either through your local music store or the phonebook. Call them and sign up for lessons, hope they're good, and do as they say. Pay them by the lesson. if you were in luck you're local teacher was great and you learned a lot, and if not, well, it's kind of hard to tell when you don't have that much to compare with right? Basically, you were stuck with the guitar teacher that happenend to be around

The new way: Sign up for free guitar lesson online, have access to the materials, audio, video and print, in the comfort of your own home, play the lesson over and over again, if the teacher's good, you stick with them, if not, try another free guitar lesson before deciding on learning from any particular teacher.

It's like having the teacher move in with you, accessible when you want to learn, and the ability to kindly ask them to leave (or kick them out!) when you decide to move on.

So, do you go with the old way or the new way?

For some advice on online guitar teachers that let you sample their stuff for free, check out http://www.onlineguitarguide.com

'til next time, EmKei

Article Source: http://EzineArticles.com/?expert=Em_Kei

Guitar Motivation - Easy Tips to Get Back on Track With Your Guitar-Playing

2009-09-26T07:39:00.000-07:00

Have you come to a point in your guitar-based hobby where you can't get motivated to play? The thought of pulling out the guitar and going through songs just seems like too much to organize. Well, you might be caught in a slump, but that doesn't mean that you can't kick yourself out of it. Here are some very simple strategies to jump start your guitar practices and get yourself some guitar motivation.

1. Have confidence in yourself. A lot of the problem to not wanting to pick up your guitar is because you might be beginning to feel like you can't play. Tell yourself that by doing a little bit at a time, you can eventually become a guitar-playing machine.

2. Schedule time to practice. If you don't make a conscious effort to interrupt the normal layout of the day to fit in some guitar practice time, you might never get your guitar motivation back. Plan out, in your mind or on paper, when and for how long you can spare time to practice the guitar. Even ten or fifteen minutes can get you into the groove again.

3. Find a quiet space to practice. It's pretty unbearable to practice the guitar where there are all sorts of noise and distractions to keep it from being enjoyable. Find somewhere that you know is to yourself for a half hour at least and just jam.

4. Practice what you want. Maybe you didn't want to play again because the thought of another scale or practice riff just sounded terrible to you. Then don't play them! If you sit down to your next guitar practice knowing that you can play whatever you want, you're almost guaranteed to get your motivation back.

5. Reward yourself when it's over. Another thing that guitarists miss out on is a little reward to themselves for completing their agenda. It can be small like buying an ice cream cone or going to the movies, but the purpose is to let yourself know that you did a good job.

Gaining that old guitar motivation again can be a bit tough if you've been forced to practice on things you didn't want or more than you wanted. The next time you sit down with the guitar, make a pact that you're going to play on your own terms.

Kyle Hoffman is an established guitarist with years of experience in a number of successful bands. Read his valuable FREE report on what to look for in a fast electric guitar course at his popular guitar blog, How To Guitar Tune.

Article Source: http://EzineArticles.com/?expert=Kyle_Hoffman

How Long Does it Take to Learn to Play the Guitar? The Real Guitar Lesson Milestone

2009-09-24T09:54:00.000-07:00

Even before deciding to learn your first chord, it's natural to want to ask how long does it take to learn the play the guitar. But, how do you interpret an answer when somebody with zero talent classes themselves as being able to play, meanwhile someone else might be great in comparison, but lack the confidence to admit they're good.

Learning The Guitar : Finding The Real Milestone

Lots of people give up playing guitar soon after starting because they don't enjoy being worse than amateur and think it's too much like hard work to get any better. However, it's not usually anything to do with 'you' because it's rare to find someone that would never be able to play guitar properly. It's down to how much your guitar lessons are on your wavelength and make you want to do it. I wouldn't like to learn rock guitar from a geek that probably liked every band I hated, it just wouldn't inspire me. I'd want to learn from a rock guitarist so I could learn to emulate him. If your books or your online guitar lessons are too boring, too technical or just failing to the get results you know you can achieve, you begin to think you can't do it, but you can. In other words, if you like the Foo Fighters and Dave Grohl was sending you online guitar lessons personally, you'd probably learn how to play the guitar in record speed.

It's tempting to be put off by what you don't yet know or can't do. I've played the guitar for 25 years and I still don't know everything, but this doesn't stop you from joining bands and everyone around you being a little bit jealous they can't grab an electric guitar and do what you can do.

Don't get caught up with thinking 'How long does it take to learn to play the guitar' if you're not enjoying your lessons because that can lead onto impatience and quitting. It's much better to find someone cool to learn from, that way, you'll enjoy the progress and then one day you'll realize:

...hey, I'm actually getting quite good at this...

That's the real guitar lesson milestone.

If you need to hear great noises coming from your guitar and don't want to wait any longer, don't spread yourself thinly over a load of different resources. You be much better treating something like a guitar crash course and absolutely nailing every section of it.

People that go back to the drawing board when things aren't going well usually overtake themselves in no time and that momentum just carries on. Most people don't do this and get information overload, suffer a guitar meltdown and end up mastering nothing, soon to be overtaken by absolute beginners.

Get in the mood for going to rock school, enjoy it and there might be a surprise for you along the way, visit http://www.GuitarCrash.info

Article Source: http://EzineArticles.com/?expert=Jon_Calderbank

Singing - The Seven Reasons Why it is Good For Your Health

2009-09-20T20:50:00.001-07:00

1. Diaphragm breathing is beneficial to your body. In today's computer focused society, most of us just don't get the air that we need to be as energetic, as full of life, as is natural for maintaining a healthy body. We are a race of shallow breathers! And yet -- breath is life!

Most students find that after only one or two lessons, they are experiencing a greater sense of well-being. And that is even before getting to the singing, singing your music, which is the fun part!

2. It develops a keener focus. What is crucial here is finding yourself a good teacher and then really listening to what your teacher says. Then, after applying yourself totally, you will find yourself developing a keener and keener focus! And that's all genius is, after all -- "pure focus".

A keen focus is a most valuable asset, all the way from personal relationships to board meetings. And you will find that all highly successful people have a keen, very well developed sense of focus.

3. It challenges you. In midlife, we often become stagnant. We consider ourselves finished with learning, maybe comfortable, maybe secure, but deep inside somewhere we are wondering where the excitement is -- wondering where the spark has gone; where the fun is.

Challenges wake you up. They get your juices flowing. You will find that nothing quite matches the thrill of singing your music your way. You will also find that along the way, you have become more interested in life and have also become a more interesting individual.

4. It is crucial to self expression. Singing is an outlet for that all important self expression. Most often, in our jobs there is just no avenue to adequately express ourselves and so we are left feeling empty and frustrated.

Expressing ourselves in our own unique way is a vital need for each one of us. And besides, you may just find yourself pleasantly surprised with the voice that you uncover, when you learn to sing your music and you do it your way.

5. It is a confidence booster. Singing is an extremely personal thing. You yourself are the instrument. There is no hiding what you are feeling inside. As you learn to sing, you will find yourself stretching and growing in many wonderful ways.

So, once you have made it to a level of some skill and ease in your singing, you will find that you have developed a degree of confidence. If you are a shy person, boosting your confidence is a most wonderful gift to give yourself, enabling you to be a calmer, more relaxed individual.

6. It is a fantastic release. Singing is a great way to deal with all that stress that life has a habit of throwing at us. That is, after all, how and why the blues were born; and why they are still so popular today.

Expressing your music and venting your emotions, creates a release that is most beneficial to your body. You let go of all that harmful tension that can build up and do damage.

7. It improves your hearing. By developing your "listening skills" you may just discover that you are actually hearing better; hearing more than you used to, regardless of your age. Really using your ears is good for them and can improve their functioning.

Most students with pitch problems find that it's always the same old reason; not really listening. Once they learn to begin to develop their listening skills, they find everything starts turning around for them as they really begin singing.

So there you have it. Whether you are painfully shy or just oozing with confidence you will find that learning to sing your music and most importantly, singing it your way, will add quality to your life. It's well worth the effort. Well worth the challenge. And in the end, you may just find that your music is something valuable to share.

Gail Karen (G.K.) Eckert is a vocalist, musician, songwriter and teacher. She founded Musikhaus Studio of Creativity in Kitchener, Ontario, Canada in 1987 and continues to guide students through the crucial steps of learning to sing. She believes that anyone can learn to sing, given the proper guidance and encouragement. She also believes that singing your music your way is not only a fun past time but is also crucial to self expression and well being. Visit her site and try her free "Improve your Breathing" course.

http://www.YourMusicYourWay.com
gk@YourMusicYourWay.com

Article Source: http://EzineArticles.com/?expert=GK_Eckert

Learn to Hear Chords - Play Music by Ear

2009-09-20T18:01:00.000-07:00

Chords are combinations of three or more notes that perform a particular function within a key. Depending on the intervals between the notes, chords can take on a wide variety of characteristics. Even chords limited to just three chords can be major triads, minor triads, diminished or augmented triads. On a given instrument there will be different ways of playing the same set of notes, which are known as chord inversions.

Different chord extensions each play a particular role and have a characteristic sound or "color." Complex extended chords, like seventh chords with an augmented eleventh, for example, sound different from other varieties even to casual listeners, but it takes a certain amount of aural skill to be able to readily identify such sounds.

That being said, it's important that musicians possess the skill to hear and identify chords accurately. Harmony plays a significant role in most tonal music. Chord progressions form the spine of most popular and jazz pieces. In order to do things such as playing these pieces by ear or transcribing them, musicians need to know what the chords are simply by hearing them.

Furthermore, a thorough understanding of chords and how they function will help musicians in creating their own compositions. By listening to even familiar pieces with this skill, students can get a feel for how composers employ different types of chords and how the harmony and melody interact.

Though it may seem difficult to beginners, the truth is that anyone can learn to hear chords the way professional musicians do. The key to identifying chords is the understanding of the intervals between notes. Chords are, after all, built on these intervals; it's the intervals between the three notes in a triad that determine whether they are major or minor chords, and the intervals between the root notes and added or extended notes that determine the specialized character of chords.

The ability to identify intervals is gained through ear training, a process with which most professional musicians have a lot of experience. Ear training allows students to become intimately familiar with intervals through simple listening exercises, and once they have that command over intervals, they can easily use it to assess and classify chords as they hear them.

So, knowing how useful it is for a musician to be in control of chords and their varied uses, it's clear that ear training, through which they can take that control in addition to many other benefits, is worth considering.

Want to know more ear training exercises? Check Out Relative Pitch SuperCourse Review Here.

Article Source: http://EzineArticles.com/?expert=Paul_Gian

Learn How to Play the Bass Guitar

2009-09-20T17:59:00.001-07:00

Guitars have been a part of the music scene for a long time. The ancestry of the guitar actually goes back about four thousand years. The electric guitar was introduced in the 1930s, and the electric bass guitar had its debut in the 1950s. That pretty much makes the electric bass guitar one of the newer kids on the block.

The role of the bass has changed since its inception back in the 1950s. The bass guitar was introduced to replace the "double bass" or "upright bass" as the bass instrument in the rhythm section of the bands of that era. Its place in modern bands is no longer just a supporting role. Today's bass player must be able to play in time, outline the harmony and lay down a beat.

Maybe you are an experienced lead guitarist looking to make a transition, or perhaps you are a total beginner who just loves the sound of the bass. Being a bass guitarist is very demanding and also very rewarding. If you realize this, now is the time to learn how to play the bass guitar.

If you want to learn how to play the bass guitar online, there are two ways that you can go. You can look around for free courses, or you can decide on buying a reasonably priced program. Unfortunately with free courses, you usually get what you pay for.

Jamorama, is an online course that is perfect for someone that wants to learn how to play the bass guitar. The course is a comprehensive all-in-one program that can take anyone from the total beginner level to being an advanced guitarist.

Also offered is an introductory six part guitar course as a free trial that is perfect for all students regardless of their ability, You just click on your skill level and download it instantly. If the free trial is not enough of an incentive, you can also take advantage of the 60 day complete 100% refund if you decide for any reason that the course is not for you. That gives you over eight weeks to test drive the program.

This course will teach you everything you need to know to learn how to play the bass guitar, So, if you really want to save money, learn how to play in a band, and do it quickly, visit my website and take a closer look. You will be glad that you did.

Article Source: http://EzineArticles.com/?expert=Thord_Hall

Acoustic Guitar For Beginners - Selecting the Right Guitar

2009-09-20T17:58:00.000-07:00

So many people who are beginning the acoustic guitar have asked me the question, "Which is the right guitar for a beginner?" The funny thing is, there isn't really a right answer. However, there are a couple of ways to address this question.

The first thing to ask yourself is, "Am I serious about this?". Another question is, "How much time am I going to give to this hobby?". Does the amount of time you will dedicate to this hobby reflect on the amount of investment you are willing to make? For example, there's no point spending $500 on a Gibson Semi-acoustic if you are only going to play for a couple of hours a week. Obviously, on the other side of the coin you don't want to buy some cheap little plank of wood with the strings nailed on either!

If you are learning the acoustic guitar with the intention of joining a band later on, then I would consider speaking to a guy in the music shop. The guitar you buy will reflect heavily on the style you wish to get involved with. If you want to learn and play country, then I would consider going for a 6-string steel guitar, or maybe even a resonator. If you want to play jazz, then there are guitars out there made specifically for jazz. But remember, if you buy a certain type of guitar, made for a certain genre of music, then you are limiting your options. Jazz just doesn't really cut it on a Spanish Flamenco guitar!

So, now that you've decided on your genre, it's time to actually go and buy a guitar. I can only speak from personal experience here, but the first thing I test is the weight of the guitar. Is it too heavy? Am I going to be walking around on stage with it? Will it get tiring after standing up playing for two hours? If the guitar is heavy then the chances are that its a guitar made for playing sitting down.

The next thing to look at is how much room you have between the strings. If you play one note, is your finger even slightly touching another string? There are ways around this, but to begin with, it's best to make sure you have lots of room available. There's nothing worse than accidentally muting another string that should actually be played as part of a sequence or chord. Generally speaking, people with big fingers will always have issues playing the guitar, but good discipline and plenty of warm up exercises will help with this problem in the long run. It can also be an advantage when you want to play Barre chords.

Next, check the tone. Get the guy in the shop to play something for you. Most guitar shop attendants love the chance to show off their stuff to you! Ask him to play something in the genre you want to study, then decide if that's the sound you want. Does it sound nice to you? Does it have enough chorus? Also listen closely for even a slight buzzing noise (fret-buzz). If you hear that while the guy is playing for you, then stay away from that particular guitar, because it probably hasn't been set up properly at the factory.

So to summarize, the key points I consider when buying a guitar are the weight, the price, the investment of money balanced against the investment of time, the genre I want to play, the amount of room on the fretboard, and fret-buzz (if it's there, seriously run away!). Some people think the look of the guitar is important. This is ok, but whats the point of having a beautiful Cherry Red semi-acoustic if it sounds like a broken harp?

So, I hope this helped you, and good luck buying your new guitar!

Joe R Foster: Playing guitar for 20 years and still learning and loving it!

http://acoustic-guitar-for-beginners.com

Article Source: http://EzineArticles.com/?expert=Joe_R_Foster